: Re: How important is a catchy first paragraph? Some novels start with a bang, with a ingeniously crafted opening paragraph or sentence that instantly catches the interest of the reader and starts

@Berryessa137

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Quote from Chekhov: “It seems to me that when you write a short story, you have to cut off both the beginning and the end. We writers do most of our lying in those spaces. You must write shorter, to make it as short as possible.”

If you read most of Chekhov's stories, you'll probably find this is true. There's an essay that can answer all your questions called 'Overtures', written by Simon Leys, if you can find his book called the Halls of Uselessness. He writes how some authors, like Anthony Burgess in Earthly Powers, can write the most interesting things at first but completely fail to deliver. On the other hand some writers validate their first paragraphs like Melville in Moby Dick.

William Gass said that a better idea of finding out whether a book is good is flipping to pg 99. So I don't like the idea that it has to be the first paragraph that grips because some writers write in such a way where the foundations they stack very early on are almost imperceptible but when you reach the end it hits you like a trainwreck. I don't think people consider the opening of Madame Bovary to be very interesting, but Flaubert poured his whole self and years into perfecting that novel. Likewise some people won't be gripped by the opening of Proust's massive monster book, but its still a great classic of Literature, Time, Memory and Sensation. Somehow it works the same for endings. A story can end quietly but it can leave a sting that grows over time. Chekhov's The Lady and the Dog is sort of like this, and Kafka's famous The Castle doesn't even have an ending.

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