: Technical subjects - non-fiction vs fiction This is a question I tried to ask in Novelizing non-fiction, is it worth it? But was un-clear and maybe too generic. Let’s say I am a scuba diving

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You're talking about two very different kinds of book. In a way this is like asking, "I'm going to college. Should I major in chemistry or poetry?" That all depends on what you like, what you're good at, and what you expect to do with the degree. Someone could list the pros and cons of each, but without knowing your wants and needs and aptitudes, there's no way they could answer the question.

Do you want to teach people how to dive? Or do you want to tell an entertaining story? People who aren't interested in learning how to dive aren't going to buy a how-to book. People who want to learn how to dive aren't going to look for a novel on the subject. It's unlikely that a novel about diving is going to teach people how to dive. Not effectively, anyway. (And I don't know anything about diving, but if you apply for your scuba certification and the examiner asks what classes you've taken, I'll go out on a limb and guess that a response of, "Oh, I've never taken any classes, but I read a really great novel about a diver!" won't count for much.)

If you want to teach people how to dive, if you want to spell out detailed techniques, etc, then write a non-fiction "how to" book. If you've had interesting experiences while diving that you think people would like to read about, you could write a non-fiction "true adventures" book. If you have ideas for an entertaining story about diving, or if you want to tell people who aren't interested in diving how much fun it is, then write a novel.

Not sure what else someone could say.

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There's no need to choose. Write both.

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I would say write what you are capable of. If your talents are non-fiction, straight to the point works then definitely write it that way. But if you are very skilled at writing fiction stories detailing adventures or thought-provoking ideas, then do that. Personally, I would write a fiction novel detailing all the technical experience of advanced diving techniques through an engaging story. I believe that this is more likely to stick with a reader than it would if it were a dry "here's how to do this" type thing.

As a plus, anyone who is serious about diving is going to be able to connect with your story on a personal level, increasing the level of engagement and likely retention as well. But, again, stick with what you do best. If you write good stories, tell a good story.

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Is it better to write that as a non-fiction book or develop a novel on the subject?

With one huge exception, my general answer would be that you should write a straightforward instructional book. Most novels I have read that simply wrapped a story round a lesson read like books for children. That annoys me. I'm a grown up. I don't need the pill sugared. Now I think about it, unless done very well, books of the "children's problem" genre even annoyed me when I was a child.

What's the huge exception, then? If you have a diving story you itch to tell then please write the novel! A compelling human story springing from and integrated with deep knowledge of a technical subject is a joy to read. And highly saleable. Think Tom Clancy.

Talking of sales, though, in general I believe you are mistaken to think that a non fiction book would have a "smaller but dedicated audience" compared to a novel. Depressingly, the audience for all types of book, fiction and non-fiction alike, is small. See this sobering article by B J Gallagher. However I know from personal experience as a published non-fiction author that if you can write a decent non-fiction book clearly explaining something that some group of people need to understand, then you can get published far more easily than can the aspiring novelist. Publishers know that people regularly seek out books by qualified authors to teach them about diving (or other technical subjects) or, better yet, to get them past a particular diving qualification. No one ever born rushed to a bookshop thinking, "I want a first novel by an unknown author, and I want it right now."

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