: How do I say that a character said something without resorting to "said Character" every time? I have one big problem with my writing - when I'm doing dialogue, I find myself writing it and

While there is some wonderful advice in here, this is also a very common and (somewhat) contentious topic.

As others have pointed out, there are essentially three ways of crafting dialogue. The first, is to use 'said'.

"I can't believe you would do that," she said.

Of course, this can become somewhat boring, or monotonous. This is often the place where writers make a very common mistake:

"I just had to. It was funny!" he snickered.

I once had a mentor who put it like this: people don't laugh things, they don't chuckle things, or smile them, etc. They say things. Everything else is a beat. In simplest terms, a beat is an action. With my students, I love to use an example like this:

"Get out of here," her cheeks flushed red she found the nearest plate and threw it at the wall next to his head. "I said get out!"

The idea here is that we show more depth to what is happening by showing our readers the emotion versus just telling them. By using beats, our readers are pretty well aware that she likely isn't saying these words calmly, or chuckling, or anything like that. She is yelling, she is angry, and whomever "he" is likely did something to upset her.

Part of the effectiveness of beats comes in our ability to paint a picture with the actions of the characters, and not just their words. Beats can quickly become ineffective when they are just being used in place of said. While characters rarely just stand there talking, it is possible. More importantly, when was the last time you held a conversation and did something every time you spoke? Our goal is to emulate natural conversation as much as possible while still telling a story. Embellish a bit, but not so much that we are making our characters feel fake.

Also note that adverbs rarely, if ever, will hold a place here. Many writers (whether this opinion is high brow or not) regard adverbs as lazy writing. This is generally due to the fact that a description of the action is far better than telling your reader how the action was taken.

He rolled out of bed with his legs still limp as they met the floor. The alarm clock was on the ground, shattered to pieces, and his torso was wrapped in a dual-blanket cocoon.

is much better than

He rolled out of bed lazily.

See the difference? Not to say the first example is great by any means, or that the second example is bad, but show don't tell reigns supreme.

There is a book called "Self Editing for Fiction Writers" that covers this subject, as well as quite a few others, in great detail and it is a fantastic read if you are serious about your craft. I highly recommend it!

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This subject is under constant debate, but the standard advice is to keep dialogue tags simple. I follow these guidelines:

Use a proper noun followed by a verb. The verb-noun construct is
passive and technically improper. "Said he" technically means some
unknown subject said the word "he".
Use "said", such as "he said" or "she said". It is the ubiquitous
attribution that offends no one when not overused.
Avoid adverbs. Instead of writing "he said loudly", either change the
verb to one that means saying loudly, such as "shouted", or attribute
the loudness in the dialogue beat.
Use words besides "said" but only if they are called for: emotional
impact, descriptive need, or tone. See Dialogue words: 100 alternatives
to make your dialogue pop and other such sites for alternatives.
Use beats, the prose between dialogue, to make attributions through
actions.

"Run!" Johnny charged for the forest, not waiting for the group.
"Hurry!"

Skip attributions altogether when it is clear who is speaking. It
might be back and forth banter like a tennis game of dialogue and
easy to follow or a person's manner of speech or tone might be a
giveaway.
Avoid redundancy. Use only one attribution in a paragraph. Don't use
"asked" when you use a question mark (use "said").

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Just jump to script form:

Alice: I must get this to Bob!
Eve: You stand no chance!
Alice: Never-the-less, I must try anyway!

Alice tossed the message over Eve's head.
But Eve, broomstick in hand, stopped the flying envelope.

Bob: Why'd you do that?
Eve: Ha ha ha! Now I got the passwords!
Bob: I was asking Alice
Alice: I thought she'd never reach it

If you're writing a college paper, this might be a no-no.
If you're writing a theatrical script, this might be the norm.
If you're writing a book, then you may not want to do this if you only have 2 lines of dialog (as the benefits might not be worth the cost of confusion brought on by introducing a unique format).

Sort of like slang: Often best avoided for formal writing. However, if you're quoting somebody and the phrasing seems to be especially emotionally moving, it may be worthwhile. Judges may be more prone to give leniency when the technique is masterfully done by a person whose experience is clear, and be harsher against a student who has a track record demonstrating a need to be adept at being capable of following the rules.

Changing styles may be worthwhile if that is the most effective way to ease the reading. My basic rule in writing (and speaking) is this: do whatever works well. (Especially in writing: try it. Didn't turn out well? Then toss the experiment's results and try something else.)

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I recommend using 'said' plus an appropriate adjective. Adding these sorts of little descriptions can really spice up a scene, and make it stick in the reader's mind.

For instance:

"I was fleeced on that meal," Tom confessed sheepishly.

"Why was that? Was it because of how disgusting and awful the fruit was?" Gatsby droned dolefully.

"No, to be honest, it was because of how bad the hot dog was," he replied frankly. "But what happened to your debutante friend?"

"Oh, she left, but I don't really care," Gatsby said lackadaisically. "Did you see her?"

"Yes, I think she maybe, possibly, didn't go over the fence, but actually could've instead gone through the plants," he hedged. "Hey, is the radio working yet?"

"Almost... almost... there! It sounds good now!" Gatsby cried out ecstatically.

These are called Tom Swifties, by the way. They're a dialogue tag that all high-class writers definitely have the option of using.

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"Character said" really is one of the best ways to tag dialog.

When we write we are hyper-aware of our word choices and sentence structure. We don't like to repeat ourselves and we hate seeing all those "said"s stack up because they seem cumbersome and repetitive.

However, reading is an entirely different story. A well written story will immerse the reader in the experience of reading. Their brain will actually tune some repetitive things out, and the word "said" is one such thing.

Let's take a look at this:

"I don't care for these eggs," said Mable.

You see "said Mable" because you are thinking critically about words and structure, but the reader will rarely be consciously aware of the words "said Mable." Instead, they will only be conscious of the proceeding sentence; their brain will seamlessly absorb the fact that Mable was the person who said it.

It's also worth noting that when only two people are talking, you can often cut out dialog tags after the first quotation or two. People will understand that paragraph breaks indicate alternating speakers.

For example:

"I don't care for these eggs," said Mable.

"I thought you liked eggs," said Jake.

"I do like eggs, but these eggs are far too runny."

"You're so picky, but I can cook them a little longer if you'd like."

That's pretty easy to follow, right?

Finally, I strongly discourage adding unnecessary descriptions to what characters are doing in the dialog tags. Whenever you do it, the reader is forced to shift modes, and doing it too often can bring them out of immersion. This is includes using adverbs to describe how characters are speaking. Whenever possible, make feeling clear through word choice, not through line delivery. Over describing dialog is a very widespread beginner mistake. You may be surprised by how much more natural your writing becomes when you stop doing it.

Good luck with your writing!

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One of my favorite ways to do this is with action tags.

A deep blush raced up her cheeks. "Why are you staring at me?"

He smiled and dropped his gaze. "I can't help it. You're amazing."

"Oh! Well..." she turned her eyes up to him, blushing again. "I guess
that's...that's okay, then."

Something like that. (Sorry @ggiaquin , I grabbed onto your great
example.)

For more than two people, the same principle works, but you'd use proper names in the tags to distinguish the speakers.

Hope that helps!

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You don't always have to tag "said" after every line said. You can do something like:

"Why do you always look at me that way?" She turned her head away, embarrassed as she recalled all the times she caught him glancing at her while working.

"Because the sparkle in your eye, and the radiance of your smile could only be because you are an angel that fell from heaven."

"Do you always use such corny lines to pick up women?" She smiled at his attempt to be cheesy. Admittedly, she thought it was cute at the same time.

You don't have to put said after every line, and even when you give "tags" to quotes, you don't even have to use said. Notice how I used other ways to fill the trailing of a quote.

So feel free to skip a line or 2 with the he said she said stuff as long as it is just 2 people talking. Most people understand when you change lines, it's a new person and if you established it is just 2 people talking, they can follow who is who as long as you give tidbits here and there on who is what in the convo.

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