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My approach to this, which I stole from other authors, is to not worry about time or space and describe the action of the accident in detail, use as much space as you want.
There is an actual real life phenomenon in which adrenalin floods the brain in an emergency and it seems to slow down time. I have felt this in a rollover (car) at 75 mph, and my best friend in a separate incident was in a car crash where a coked up driver of a stolen car broad-sided him, in an intersection, traveling at over 110 mph. This threw him him through the closed driver side window of his car, which shredded both his clothing and his body, causing dozens of cuts, and sending him flying through the air to land in the street in front of another car stopped for the light. He said it felt like it took sixty seconds to complete, but in that time he could barely move his arm up so his face hit his forearm instead of the pavement (which he doesn't remember happening, but his face did hit his forearm instead of the pavement).
Regardless, just describe the scene, moment by moment, cut out what is not necessary (like any other scene). Keep track in your head that you are taking many seconds to describe something that may happen in literally less than one second, so while your narrator can take the time, don't let your fictional characters move or think at super speed.
Think of it as if you saw, in a movie, a super slow motion video of a motorcycle crash. Pick around three key points in that slow motion video to describe. How much of the broken bones, flesh left on the pavement, dismemberments or impalements or spurting ripped open arteries you want to describe is between you and your audience and what you think they can handle or expect from you, from PG to porno-horror film explicit.
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